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In part six of our chronological Kubrickathon, Stanley Kubrick checks into the Overlook Hotel and takes on Stephen King, transforming The Shining from a bestselling haunted-house novel into one of cinema’s most unsettling horror...

For decades, an American movie poster was a working piece of cinema advertising, moving through studios, National Screen Service, local exchanges and cinemas. We follow the numbers, folds and tiny print on surviving originals...

In part five of our chronological Kubrickathon, Stanley Kubrick enters the 1970s with two very different literary adaptations: the provocative dystopian violence of A Clockwork Orange and the icy period splendour of Barry Lyndon.

At around 120 x 160 cm, the French Grande is one of cinema's most imposing poster formats. We trace its surprising roots through the great French advertising posters of the nineteenth century and the...

Sixty years after Batmania swept across America, we look back at the gloriously colourful 1966 Batman TV series, the phenomenon it created, and why Adam West’s wonderfully straight-faced Caped Crusader may still be the...

A closer look at the original Interstellar poster campaign reveals two parallel Paramount and Warner campaigns - and helps explain a group of unusual 27 × 39 inch posters that had puzzled us for...